It was the end of the 1960s, and The Beatles’ lives were about to get nasty. For a band that did nothing but promote their message of peace and love for the entire world, hiring Allen Klein began their downward spiral, involving different legal matters that pitted Paul McCartney against the rest of the group. Although McCartney was the first to put out a solo record, his former bandmates weren’t kind in their assessments.

After the Get Back sessions, McCartney had already started planning a solo record, demoing various tunes that his band rejected at his home and Abbey Road. While McCartney was known as the relentless worker of the Fab Four, his relationship with John Lennon was about to become strained.

Paul McCartney admits he's "very glad" he reconciled with John Lennon before his tragic... - Gold


Although the involvement of Yoko Ono has been brought up as a sticking point, Klein was the aggressor in breaking the songwriting duo apart. After running away from the deal, McCartney released his first solo album, effectively confirming that The Beatles had broken up.

Containing many different demo recordings of what could have been finished songs, fans and critics saw the album as a shock, being far too rough around the edges than what was usually expected out of Macca. Then again, no one was a harsher critic than Lennon.

When talking about the latest album, Lennon wasn’t shy about how much he detested McCartney’s debut release, telling Rolling Stone“I thought Paul’s was rubbish”. Since George Harrison was already riding high off the success of his massive debut album All Things Must Pass, Lennon would also describe McCartney’s attempts at a solo career as “light and easy”.

Paul McCartney couldn't face speaking publicly about John Lennon's death | The Independent

Lennon wasn’t the only Beatle having issues with McCartney’s solo ventures. Talking about the album RAM at the time, Ringo Starr said that he wasn’t a fan of McCartney’s work, thinking that there were hardly any good tunes on the record and that McCartney seemed to be losing his edge.

This sparring in the press would lead to a war of words between the former writing partners, with McCartney lobbing the ball back at Lennon with his song ‘Too Many People’. Throughout the song, McCartney made mention of Lennon’s unnecessary preaching to the public, which Lennon quickly rebutted on Imagine with the brutal track ‘How Do You Sleep’.

Even in the Rolling Stone interview, Lennon never once questioned McCartney’s talent, remarking on his latest solo album, “I think it’ll probably scare him into doing something decent, and then he’ll scare me into doing something decent like that. I think he’s capable of great work and I think he will do it”.

Following their verbal spats in the press, Lennon and McCartney would eventually make up towards the end of Lennon’s life, with the McCartneys visiting the Lennons at their Dakota apartment building when off any Wings press circuit. Despite making time to get back together, Lennon and McCartney would never work on music together again, keeping to their solo careers until Lennon’s murder in 1980. Although the waning days of The Beatles made everything sound unpleasant, that brotherly love between Lennon and McCartney would never be silenced.

Paul McCartney thought THIS John Lennon album was ‘unimpressive’

Photo: Paul McCartney thought THIS John Lennon album was ‘unimpressive’Photo: Paul McCartney thought THIS John Lennon album was ‘unimpressive’

Paul McCartney reportedly did not find John Lennon and Yoko Ono’s Two Virgins very interesting.

For those unfamiliar, Two Virgins is the couple’s debut recording, which was released in the year 1968.

Following its release, the record received severe backlash for its ‘explicit cover,’ where Yoko Ono and her husband John Lennon posed completely naked.

At that time, John Lennon claimed that his bandmate Paul was bothered after seeing the “nudity”, but Paul denied his claims in The Beatles Anthology and said, “The Two Virgins record itself I didn’t find that interesting.”

He also explained, “The music wasn’t shocking to me because I’d made a lot like that myself.”

“I think John may have got some ideas from when I had a couple of Brennell tape recorders. I used to bounce sounds between them and multi-track to make crazy tapes for friends late at night,” he continued at that time, simply adding, “It was just ambient music.”

He even mentioned, “John asked me how I did it, so I showed him how to plug the machines up,” after which he insited that John could have done a better job and jumped to another topic.