JLO & Diddy Scandal & Secrecy| Natasha Ramos Exposes the Truth on PRODUCER CORY ROONEY HE TRIED IT! | HO

Down the Rabbit Hole news exposes Diddy aka Sean Combs, Jennifer Lopez aka JLO and Producer Cory Rooney. Jennifer Lopez steals vocals, its been a known rumor of this.

I am approached by producer Corey Rooney at the door, who expresses his pride in my work and then unexpectedly asks for a kiss. Feeling uncomfortable, I decline, but he insists, threatening to remove my credits from all the records. Feeling trapped, I reluctantly give him a brief kiss, but he demands more. Asserting myself, I warn him that I will scream if he doesn’t let me leave, and he finally relents. Looking back, I can’t shake the feeling that this encounter played a significant role in the challenges I faced afterward.

This incident sheds light on the pervasive issue of exploitation and abuse of power in the music industry. Unfortunately, it’s not uncommon for artists to face coercion and manipulation, as illustrated by the stories of stolen songs and vocals recounted by Shanté Moore and Natasha Ramos.

Natasha’s experience with Jennifer Lopez’s “Jenny From the Block” highlights the murky waters of the industry, where artists’ contributions can be overshadowed or appropriated without proper credit. Her story underscores the importance of understanding the business side of music and having competent representation to navigate these complexities.

The music industry’s culture of exploitation and manipulation must be addressed, and artists deserve better protection and support. It’s time for a reckoning and a shift toward a more equitable and respectful environment for all musicians.

After completing the recording for Jennifer Lopez, I was supposed to start work on my own project. However, Marcus, who was supposed to negotiate the contract for me, came back with a shockingly low offer of $3500 for all the work I had done on Jennifer’s album. Feeling disheartened and taken advantage of, I wanted to fight it, but I was told that the contract had already been signed, leaving me no room for negotiation.

Reflecting on the situation, I realized that I was not well-versed in the business side of the music industry, and my manager at the time was not competent enough to handle negotiations effectively. I felt resentful and heartbroken, but I reluctantly accepted the offer, hoping that other opportunities would arise in the future.

Years later, I wondered if Jennifer was aware of how little I was paid for my contributions to her album. I couldn’t help but feel that she didn’t care, especially since she was likely in the room during the negotiations. The experience left me feeling exploited and disappointed.

Then, on my last day recording, I was met by producer Corey Rooney at the door. He praised my work and then asked for a kiss. Feeling uncomfortable, I refused, but he threatened to remove my credits from all the records if I didn’t comply. Feeling trapped, I gave him a brief kiss, but he demanded more. I stood my ground and threatened to scream if he didn’t let me leave, and he relented. Looking back, I couldn’t shake the feeling that this encounter played a significant role in the challenges I faced afterward.

Despite the difficulties I’ve faced in the industry, I remain hopeful for change and continue to share my story in the hopes of shedding light on the exploitation and manipulation that exists within it. It’s time for a reckoning and a shift toward a more equitable and respectful environment for all musicians.