Taylor Swift calls out her longstanding feud with Kim Kardashian in a thinly-veiled diss track on The Tortured Poets Department titled “thanK you aIMee.”

For Taylor Swift, some bad blood is harder to bury.

It’s a fact only proven with the release of her 11th—and a surprise double—album The Tortured Poets Department, in which the Grammy winner seems to take a thinly-veiled jab at Kim Kardashian, with whom Taylor has had a longstanding feud.

And in the second verse, Taylor slams the headlines that she alleges Kim caused with her actions—such as when she shared footage of the infamous 2016 phone call between Taylor and Kanye West—while noting the discrepancy in their career growth at the time.

“And it wasn’t a fair fight, or a clean kill / Each time that Aimee stomped across my gravе,” she sings. “And then she wrote hеadlines / In the local paper, laughing at each baby step I’d take.”

In December, Taylor spoke to her mental health during the public fall out between her, Kim and Kanye. As she told TIME, “You have a fully manufactured frame job, in an illegally recorded phone call, which Kim Kardashian edited and then put out to say to everyone that I was a liar. That took me down psychologically to a place I’ve never been before.”

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The song’s lyrics grow progressively more cutting—with lines such as “Everyone knows that my mother is a saintly woman / But she used to say she wished that you were dead”—before Taylor takes perhaps her greatest swing at the SKIMS founder.

While noting that Kim has “perhaps reframed” their history in her mind, Taylor counters that she “doesn’t think she’s changed much,” before spelling out her reason for penning the song.

“And so I changed your name, and any real defining clues,” she sings in the bridge. “And one day, your kid comes home singin’ / A song that only us two is gonna know is about you.”

But though “thanK you aIMee” spends much of its lyrics describing the adversity “Aimee” put Taylor up against, the Midnights artist also acknowledges the ways in which it forced her to grow—hinting at the larger legacy she’s built.

“All that time you were throwin’ punches, I was buildin’ somethin’,” she sings in the chorus, at the end adding, “And our town, it looks so small, from way up here / Screamed “Thank you, Aimee” to the night sky, and the stars are stunnin’ / ‘Cause I can’t forget the way you made me heal.”

Keep reading for more of the man easter eggs and allusions in The Tortured Poets Department. 

“Fortnight” (featuring Post Malone): In the first track of TTPD, Taylor Swift and Post Malone team up to sing about a “temporary” romance that lasted for a fortnight (two weeks).

“And I love you, it’s ruining my life,” the lyrics tease. “I touched you, for only a fortnight.”

It appears the song is a reference to Taylor’s rekindled romance with The 1975‘s Matty Healy, which first began in 2014 and revived a decade later in the spring of 2023 following her breakup with Joe Alwyn.

And although the revival of Taylor and Matty’s relationship was brief, it was jam-packed with emotion, according to these lyrics.

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“The Tortured Poets Department”: While fans previously pointed out the connection between the album’s name TTPD and Joe’s WhatsApp group chat called “The Tortured Man Club,” the titular song actually includes references to Matty.

Even the track’s opening lyrics, “You left your typewriter at my apartment,” gives a nod to Matty, who noted he “really” likes typewriters in a 2019 interview with GQ.

Later on in the song, the lyrics offer more insight into Taylor and Matty’s strong bond. Taylor even recalls, “At dinner you take my ring off my middle finger and put it on the one people put wedding rings on. And that’s the closest I’ve come to my heart exploding.”

Taylor’s lyrics also include shoutouts to poet Dylan Thomas—”you’re not Dylan Thomas”—and singer-songwriter Patti Smith—”I’m not Patti Smith.” As well as Charlie Puth. “You smoked then ate seven bars of chocolate / We declared Charlie Puth should be a bigger artist.”

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“My Boy Only Breaks His Favorite Toys”: “I’m queen of sandcastles he destroys,” Taylor sings on the third song on the album, in which she recalls a partner who ran away from their relationship.

“Cause I knew too much / There was danger in the heat of my touch,” the lyrics note. “Saw forever so he smashed it up.”

“Down Bad”: In the lyrics to this song, Taylor reflects on being ghosted by a guy, who she calls her “twin,” after being infatuated by him.

“How dare you think it’s romantic / Leaving me safe and stranded,” she sings. “Cause f–k it, I was in love / So f–k you if I can’t have us.”

The “stranded” lyric may sound familiar to Swifties, given that Taylor uses it in the 1989 song “New Romantics”: “Please leave me stranded / It’s so romantic.”

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“So Long, London”: Taylor has been known to reserve track five for her most heartbreaking songs, and, yes, “So Long, London” definitely fits the bill.

In this track, Taylor reflects on the end of her relationship with Joe and the memories they shared in the city together over the years. She also alludes to what led to the demise of their relationship.

“I didn’t opt in to be your odd man out,” she sings. “I founded the club she’s heard great things about / I left all I knew, you left me at the house by the Heath.”

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“But Daddy I Love Him”:  Taylor raised eyebrows when she spent time with Matty, who’s been called out for his controverisal comments over the years. In “But Daddy I Love Him,” she addresses a similar theme of wanting a relationship to work despite criticism from the outside world.

“No I’m not coming to my senses,” she declares. “I know it’s crazy but he’s the one I want.”

“Fresh Out the Slammer”: After getting out of a long relationship with Joe, Taylor seemingly knew who she wanted to call: Matty.

“I did my time,” she sings. “Now pretty baby I’m running back home to you.”

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“Florida!!!” (featuring Florence and the Machine): What to do when you need an escape? Head to Florida. At least, that’s what Taylor and Florence Welch advise in this track.

“You can beat the heat if you beat the charges too / They said I was a cheat, I guess it must be true,” Taylor sings, referencing speculation about her personal life. “And my friends, all smell like weed or little babies / And the city reeks of driving myself crazy.”

“I need to forget, so take me to Florida,” the lyrics later continue. “I’ve got some regrets, I’ll bury them in Florida.”

“Guilty as Sin?”: In another apparent nod to Matty, Taylor starts “Guilty as Sin?” with the lyrics, “Drowning in the Blue Nile / He sent me downtown lights.” Well, it just so happens that, back in 2022, Matty named The Blue Nile‘s Hats as one of his favorite albums of the 1980s.

“Who’s Afraid of Little Old Me?”: Taylor tackles her critics in this passionate track.

“Is it a wonder I broke? Let’s hear one morе joke,” she sings. “Then we could all just laugh until I cry.”

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“I Can Fix Him (No Really I Can)”: As Taylor notes in this song, she believed she could help change someone, despite any naysayers.

“The smoke cloud billows out his mouth like a freight train through a small town,” she sings. “The jokes that he told across the bar were revolting and far too loud.”

“Thеy shake their heads saying, ‘God, help her’ when I tell ’em he’s my man,” the lyrics continue. “But your good lord doesn’t need to lift a finger / I can fix him, no, really, I can / And only I can.”

“Loml”: In this moving track, Taylor first sings about being called the love of someone’s life “about a million times.” However, the dynamic soon changed.

“If you know it in one glimpse, it’s legendary,” she notes. “What we thought was for all time was momentary.”

She ends the song by letting the person know, “You’re the loss of my life.”

“I Can Do It With a Broken Heart”: Though this song is upbeat, it’s filled with lyrics of unrequited love.

“I’m so obsessed with him, but he avoids me like the plague / I cry a lot, but I am so productive, it’s an art,” she sings. “You know you’re good when you can even do it with a broken heart.”

“The Smallest Man Who Ever Lived”: Taylor has a few questions for “the smallest man who ever lived,” who seemingly left their relationship out of nowhere.

“You kicked out the stage lights, but you’re still performing,” she sings. “And in plain sight you hid / But you are what you did.”

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“The Alchemy”: After ditching “the clowns,” Taylor found the guy on the Chiefs. In “The Alchemy,” an apparent nod to her NFL player boyfriend Travis Kelce, Taylor makes several sports references.

“I haven’t come around in so long / But I’m coming back strong,” Taylor sings. “So when I touch down, call the amateurs and cut ’em from the team.”

She later references her past “blokes,” who “warm the benches,” noting “we been on a winning streak.”

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“Clara Bow”: The lyrics to the final song on the album address the connection between Taylor and the late actress Clara Bow, whose life, similar to Taylor’s, was subjected to much speculation and scrutiny.

“It’s hell on earth to be heavenly,” Taylor sings. “Them’s the brakes, they don’t come gently.”

The lyrics also put a spotlight on the comparisons of women in the public eye, with the mention of Clara, Stevie Nicks and Taylor herself.

And, as if being told to the next star in line, “You look like Taylor Swift / In this light, we’re loving it,” the lyrics state. “You’ve got edge, she never did / The future’s bright, dazzling.”

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“thanK you aIMee”: After surprising fans at 2 a.m. with a double album, featuring 15 additional Tortured Poet songs, Swifties were quick to spot Kim Kardashian‘s name in the title of “thanK you aIMee.”

“And it wasn’t a fair fight, or a clean kill / Each time that Aimee stomped across my gravе,” Taylor sings, seemingly referencing the infamous phone call between her and Kanye West that Kim posted online in 2016. “And then she wrote hеadlinesIn the local paper, laughing at each baby step I’d take.”

But, as the lyrics note, Taylor is stronger now: “All that time you were throwin’ punches, I was buildin’ somethin’ / And I couldn’t wait to show you it was real / Screamed “F–k you, Aimee” to the night sky, as the blood was gushin’ / But I can’t forget the way you made me heal.”